29 Mayıs 2013 Çarşamba

English Literature: A Vindication of the Rights of Women vs. India Wom...

Mahmut Deniz


Nature is a perfect model for the writers of Romantic Era. According to their philosophy, nature is described as representing the best and properly ordered aspect of things. Also, nature is the representation of sincerity, equality and perfection. It is good to Romantic writers because they try to be emotional in their works and they express their feelings sincerely. They believe that the core of human nature is his emotions. Therefore the emotions should include the sympathy and empathy towards people. By putting these ideas into practice they can create an equal society for humankind. In the nature, every living being has its own opportunity and place. However nature is distinct from social existence. Society can distort natural feelings and destroy the perfect order of nature. As parallel to this, writers believe that every individual should have equal rights and have place in the society. For instance, two women Romantic writers Mary Wollstonecraft and Felecia Dorothea Hemans take the Romantic idea of equality as basis for their writings. In her A Vindication of the Rights of Women Mary Wollstonecraft argues about the roles which are loaded to women’s shoulders by the society and she implicitly demands for equality. On the other hand, in India Woman’s Death Song Felecia Dorothea Hemans introduces an Indian woman with a baby who is at the edge of death. By showing the pitiful situation of the Indian woman, she implies how society can be influential on a woman’s life in a negative way. That is why, the two writers respond to the social restrictions placed on women’s lives by traditional gender expectations clearly but differently.
                                                                                                                        
In Indian Woman’s Death Song, Hemans expresses the social restrictions from an Indian woman’s point of view. In the poem, she sings a mournful death song. The poem can be divided into two parts. The first part consists of one paragraph and one stanza which includes fifteen lines. The first part serves as background information for the reader. In the paragraph, Hemans introduces the situation of that pitiful woman because she is deserted by her husband and she is with her children in a canoe which goes to the edge of the cataract. Also the Indian woman and mournful death song are important clues for understanding the social pressure that she exposed to. In the poem it is expressed “Her voice was heard from the shore singing a mournful death-song, until overpowered by the sound of the waters in which she perished” (1)As we can understand from the quotation, while the sound of death song represents the pitiful Indian woman, the sound of water represents  nature that she wishes to live. At the end of sentence we see that she is overpowered by the waters in other words she is taken control by the nature.
Also the first stanza is a kind of narrative because it has no fixed rhythm and no rhyme. The speaker is the third person in other words it is the poet. Like in the paragraph she continues to give background information for the reader and it tells about Indian woman’s suffering. In order to focus on the Indian woman’s situation, she makes a connection between nature and her. In other words the thunder of the cataract shows the nature’s power. In the first lines the words such as “forest glooms”, “tempest’s wing”, “cataract’s thunder” show that the place which refers to nature and its superiority. Also the words such as “proudly”, “dauntlessly”, and the sentence “A woman stood. Upon her Indian brow sat a strange gladness and her dark hair wav’d as if triumphantly” (1) shows that Indian woman sees nature as a protection for her and her children from the social pressure. That is why by using these words she characterizes a proud and strong woman but glad one for going to death in the face of
                                                                                                                                        
social pressure. Also, her high and clear song is the symbol of voicing out her existence to the society.
The second part of the poem consists of seven quatrains of two rhyming couplets. We see that in comparison to the first part, there is strict pattern and regularity which emphasizes the Indian woman’s certainty against the social pressure. In first quatrain, she talks about her suffering and miserable condition after her husband’s desertion. In two lines she wants nature to take them to heaven by using the word “Spirit’s land”. Also she refers to the nature’s supremacy by using the words “Father of ancient waters”. In last lines she describes herself like tired bird and wounded deer who wants to go to a place so that no one would interfere with her.
In the second and third quatrains, the Indian woman starts to talk about her husband’s betrayal and her feeling about him. For instance, she describes her husband as a warrior and she says “Roll on!-my warrior’s eye hath look’d upon another’s face”. Here we see that her husband betrays her with another face referring to another woman. She loses her importance in the eyes of her husband that is why she is disappointed. Also in the third quatrain, she goes on the same theme. She expresses that her husband forgets her easily but she does not. That is why she says “but mine its lonely music haunts, and will not let me rest” she does not stop thinking about him. She describes him as a light which she cannot live without it.
In the fourth and fifth quatrains, she remembers her domestic life with him. Also, she implies that she have done enough to make him happy. However, he chooses another woman, he will not be happy with another woman. That is why in the fifth quatrain, she decides to forget him and starts to imagine after life. She says that after life takes away her “the burden of the heavy day” and “the sadness of the day”. In other words, after life will help her to eradicate her mournful memories.
                                                                                                                               
In the sixth and seventh quatrains, we see that she gives up her husband and gets rid of from the social pressure. For instance, in the sixth quatrain, she is talking to her daughter. By doing, this she universalizes her experience as women’s experience. She tells her that she will not experience the same miserable life that her mother has. She promises not to leave her. In order to escape from the social restrictions, she takes the baby with her. In the seventh and the last quatrain, Indian woman wants to go to Heaven in order to be beyond social bonds because throughout her life, she lived for her husband. Now she breaks the bonds of patriarchal society completely. Also she makes a room or “kingdom” for her and her children. As the line states that she will find her youth there. That is why at the end of the poem Indian woman has gained enough confidence and endurance to live with her children in the Heaven.
In A Vindication of the Rights of Women, Mary Wollstonecraft defines and makes a criticism about women position in society in order to respond to social restrictions. Although she accepts gender differences as natural, she rejects the social indoctrination that women are inferior to man. Furthermore, she thinks that women are made deliberately by society as inferior people. In the first paragraph, she tries to explain how and why society sees woman as inferior to men. For instance, she asserts that women “have acquired all the follies and vice of civilization.” This means they are not inborn foolish or have not bad morality but they get it afterwards. Also in the first paragraph it is very clear that she argues about excessive sensibility for women. She asserts that due to women’s inflamed senses and neglected understanding, they become “the prey of their senses”. In other words their judgment is not formed by the society. They have no good to themselves and to others. That is why she rejects the society’s perception of “a mixture of madness and folly”. By stating these reasons she tries to show women’s position in the society.
                                                                                                                              
In the second and the third paragraph, in order to respond the social restrictions, she focuses on the stereotypes of woman which is imposed by the society. According to her, society makes woman to learn about novel, music, poetry and gallantry in order to develop their sensational parts. She thinks that these are acquired skills. So that patriarchal society will have ultimate control on women. By having overworked sensibility, they are not capable of thinking rationally. Also in the third paragraph; she continues to emphasize the stereotypes. She says that women are seen as “abortive eagerness” and “defiled body”. They have no joy without their sensibility. And she expresses that due to these stereotypes “women are made slaves to their senses”
In the fourth and fifth paragraph, she starts to tell the other dimension of the woman issue. She implicitly accuses society for making women as listlessly inactive and stupidly submissive towards them. She constructs her argument saying that if they are not made stupid and foolish, they could have ability to make distinction between good ad evil and to think rationally. She thinks that this perception of society prevents woman to rise in the society. Also in the fifth paragraph, instead of telling women’s cares and sorrows, she continues accusing society’s perception about woman. According to patriarchal society women are “fine by defect, and amiably weak”. Due to their ultimate dependence, woman can not change their position in the eyes of patriarchal society. Society sees them morally bad because of their tendency on emotions.
In the sixth paragraph, we see that she not only criticizes the perception of the society about women, but also criticizes woman in order to submit to these kinds treatment. She accuses woman that they cannot live without man’s help. Also she makes an irony about men by writing the word “natural” in italics. In other words she does not agree with the idea that men are the natural protector for women. Also she criticizes women’s demanding help from
                                                                                                                                           
men by seeming pitiful creatures. According to her, these kinds of attitudes are the sign of “imbecility” and acceptance of men’s supremacy.
            In the last paragraph, she emphasizes the important point of women issue. In order to gain position in the society she asserts that woman can not allow man to treat hem as inferior beings. Metaphorically she says that women can not be confined to closed rooms. In other words she advises that they should see themselves as equal to the men. If they are successful seeing in this way, they can be accepted “more respectable members of society”. She continues to advice and she states they should get rid of “the important duties of life by the light of their own reason”. Finally she wants women not “to have power on men but themselves”. Namely she firstly wants women to gain their belated rights from man.

            In conclusion, both Felecia Dorothea Hemans and Mary Wollstonecraft deal with the social restrictions on women’s lives. While Hemans writes about an Indian woman’s voice about the women’s position, Wollstonecraft touches this issue by writing a well-developed essay. Although their ways of dealing the issue is different, their aim is the same which is to break social restrictions on women.

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